Artist promotes integration of traditional Chinese opera into tourism to carry forward cultural heritage
By Zhang Tengyang, People’s Daily
In
the sounds of gongs, drums, and suona horns, Liu Lisha, head of a
Hebei
Clapper Opera troupe in Shijiazhuang,
capital of north China’s Hebei province, strode onto the stage with an ancient
army flag, and started to perform a traditional Chinese opera Mu Guiying Gua Shuai (Mu
Guiying Takes Command) for local residents in Nanlijiatuan
village, Zhaoxian county, Shijiazhuang.
Liu
is also a member of the National Committee of Chinese People’s Political
Consultative Conference (CPPCC). During the annual session of
the CPPCC last year, she submitted a proposal for promoting the
integration of traditional Chinese culture and tourism, while this year, her
proposal highlights protecting and tapping into traditional Chinese opera.
In
the central and southern areas of Hebei province where watching traditional
operas is part of the everyday life of rural residents, almost every village
has a stage. Every year, Liu and members of her troupe perform traditional
Chinese operas in rural areas from the first month of the lunar
year to the Dragon Boat Festival celebrated in the fifth month of
the lunar year.
In
recent years, local governments of Shijiazhuang have intensified support for operas
and programs featuring traditional Chinese culture through measures including
paying for the shows performed for local residents. Hebei Clapper Opera troupes
can get an allowance of 7,500 yuan (about $1,057) for each show they present.
“Our
troupe stages 200 shows in rural areas every year. We try our best to meet the
needs of local people,” Liu said.
Over
the years, Liu’s troupe has often performed during temple fairs in rural areas.
The dazzling juggling and products sold at temple fair, such as local
specialties, clothes, snacks, and toys, can usually attract a lot of people
from neighboring villages and even urban areas.
As
she performed during such occasions, Liu found that some people were attracted
by the troupe’s performance of Hebei Clapper Operas while strolling around at
temple fairs.
Some
people came to temple fairs specially for the show, according to Liu, noting
that these people often stroll around and shop during intervals, and came back with
snacks to continue enjoying the performance after the interval.
“Performances
of traditional Chinese operas and temple fairs in rural areas complement each
other. The integration of them can not only meet people’s cultural
needs, but also boost consumption in local areas,” Liu said.
As
a member of the National Committee of the CPPCC, Liu has always been thinking
about how to carry forward and further develop traditional Chinese opera.
Inspired
by the results of the integration of traditional Chinese
opera performances and temple fairs, she submitted a proposal for
promoting the integration of traditional Chinese culture and tourism to the
CPPCC last year, suggesting that Hebei Clapper Opera performances should be
presented near some scenic spots and historical sites.
On
the Mid-Autumn Day last year, Hebei Clapper Opera troupe of Shijiazhuang staged
a live-action performance Chang’e Ben Yue (Chang’e Flying to the Moon) in
Zhengding old town in Shijiazhuang’s Zhengding county.
“Many
tourists watched the performance. I walked around there and heard that a nearby
shop selling Shaomai, a kind of steamed dumpling,
saw its sales reach 100,000 yuan ($14,088) that day, though it doesn’t
have many customers normally,” Liu said.
“Some
local traditional Chinese operas suffer greater loss of scripts than Hebei Clapper
Opera. Today, our entire troupe can perform over 40 plays a year, while in the
past, some senior artists could perform more than 100 plays alone in a year,” said
Liu, who hopes that local operas can be recorded with modern technologies.
“We
are often told by our audiences that they want to watch modern operas. And we
are trying harder to write new plays,” Liu disclosed.
With
her proposals and idea of creating original plays all being based on what she
has experienced, heard, seen, and thought of over years while performing for
and talking with local residents, Liu’s proposals and new idea are bound to
serve people’s cultural needs better once they are implemented properly.
“People’s
satisfaction is the greatest encouragement to us,” Liu said, adding that
serving people’s cultural needs is the greatest honor and the most important
responsibility for her.
Artist promotes integration of traditional Chinese opera into tourism to carry forward cultural heritage
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